The Nizam circuit has long been considered one of the most decisive markets for Telugu cinema. Often seen as a trendsetter for box office momentum, the region not only reflects urban audience tastes but also plays a crucial role in determining whether a film sustains beyond its opening weekend. This week, trade circles turned their attention to two very different films — Anaganaga Oka Raju and Nari Nari Naduma Murari — as early Nizam collection reports began doing the rounds Nizam collections Anaganaga Oka Raju Nari Nari Naduma Murari
While both films arrived with contrasting expectations, their performance in the Nizam belt offers an interesting snapshot of audience preferences, word-of-mouth impact, and the current theatrical climate Nizam collections Anaganaga Oka Raju Nari Nari Naduma Murari
Anaganaga Oka Raju: A Content-Driven Start with Steady Growth
Anaganaga Oka Raju entered theatres without the burden of massive pre-release hype, but with a strong emphasis on storytelling. From the very first show, it became clear that the film was banking on narrative strength rather than star power alone. In the Nizam region, initial occupancy levels were moderate, particularly during weekday morning shows. However, by the end of the first day, evening and night shows witnessed a noticeable pickup Nizam collections Anaganaga Oka Raju Nari Nari Naduma Murari
Trade analysts point out that Hyderabad city centres responded better compared to smaller towns in the circuit. Multiplex audiences, especially younger viewers, seemed to connect with the film’s emotional core and grounded performances. This translated into consistent footfalls rather than explosive numbers — a pattern often seen with content-oriented cinema Nizam collections Anaganaga Oka Raju Nari Nari Naduma Murari
By the end of the opening weekend, Anaganaga Oka Raju showed signs of stability in Nizam. While it may not have posted sensational opening figures, the film’s hold on Monday and Tuesday was encouraging. Industry insiders attribute this to positive word-of-mouth, particularly around the film’s second half and character arcs Nizam collections Anaganaga Oka Raju Nari Nari Naduma Murari
Another important factor working in its favour was limited competition from major releases. With fewer big-ticket films occupying screens, Anaganaga Oka Raju managed to retain decent show counts across key centres like Hyderabad, Warangal, and Nizamabad
Nari Nari Naduma Murari: Nostalgia Meets New-Age Audiences
On the other hand, Nari Nari Naduma Murari had a very different journey at the Nizam box office. Backed by strong recall value and curiosity among older audiences, the film saw a better-than-expected opening in select pockets. Single-screen theatres, particularly in traditional strongholds, reported healthy occupancy during the initial shows Nizam collections Anaganaga Oka Raju Nari Nari Naduma Murari
The film benefited from nostalgia-driven footfalls during the first two days, with families and long-time moviegoers turning up in respectable numbers. Hyderabad once again led the charge, but interestingly, interior centres also contributed meaningfully during the opening weekend Nizam collections Anaganaga Oka Raju Nari Nari Naduma Murari
However, the real test came post-Sunday. While Nari Nari Naduma Murari maintained average collections on weekdays, the drop was slightly steeper compared to Anaganaga Oka Raju. Trade experts believe this is due to mixed reactions from younger audiences, who were less familiar with the film’s legacy and narrative style.
Despite this, the film managed to hold its ground better than many expected. The Nizam collections, though not record-breaking, were solid enough to ensure that distributors avoided losses in most areas Nizam collections Anaganaga Oka Raju Nari Nari Naduma Murari
According to early trade trends in the Nizam region, both films saw varied audience responses, similar to recent Telugu releases tracked across major centres.
How the Nizam Market Reacted Overall
What stands out in the Nizam performance of both films is the clear divide in audience behaviour. Anaganaga Oka Raju relied heavily on organic growth, driven by reviews and social media chatter. Its collections reflect a slow-burn success model — one that depends on consistency rather than fireworks.
Nari Nari Naduma Murari, meanwhile, rode the initial wave of familiarity and curiosity. Its Nizam numbers were front-loaded but respectable, proving that nostalgia can still pull crowds, provided expectations are managed Nizam collections Anaganaga Oka Raju Nari Nari Naduma Murari
Trade circles also note that ticket pricing and show timings played a crucial role. With audiences becoming increasingly selective about theatrical visits, films that offer either strong content or emotional connect tend to perform better in the Nizam region Nizam collections Anaganaga Oka Raju Nari Nari Naduma Murari
Final Verdict on Nizam Collections
From a business perspective, both films can be considered safe ventures in the Nizam belt. Anaganaga Oka Raju appears better positioned for long-term gains if it continues to hold screens into the second week. Its steady collections indicate strong acceptance, especially among urban audiences Nizam collections Anaganaga Oka Raju Nari Nari Naduma Murari
Nari Nari Naduma Murari, while facing stiffer challenges in sustaining momentum, has already made a decent impact in the region. Its performance underscores the importance of targeting the right audience segment and managing expectations in today’s market Nizam collections Anaganaga Oka Raju Nari Nari Naduma Murari
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As the week progresses, all eyes will be on how these films fare with new releases lining up. For now, the Nizam collections tell a story of two films navigating the box office in very different ways — each finding its own space in an increasingly competitive theatrical landscape.
Anaganaga Oka Raju – Wikipedia
https://en.wikipedia.org/wiki/Anaganaga_Oka_Raju
Nari Nari Naduma Murari – Wikipedia
