In a move that surprised many of his admirers, Arijit Singh, one of India’s most beloved contemporary vocalists, returned to live performance this weekend in Kolkata, just days after he announced his retirement from playback singing. The concert, a special collaboration with renowned sitar maestro Anoushka Shankar, marked Arijit’s first major stage appearance post-retirement.
Rather than a typical solo pop concert, the show blended Arijit’s emotive vocal repertoire with Shankar’s classical sensibilities, creating a rare musical fusion that delighted concertgoers and trended across social media. Videos from the performance depict packed crowds cheering as the singer navigated both beloved hits and improvisational pieces with effortless emotional depth.
This return isn’t merely a nostalgic stopgap; industry commentators see it as a deliberate repositioning of Arijit’s artistic journey. By aligning himself with a respected classical performer like Shankar, Arijit appears to be signaling a shift from studio playback work to a career focused on live musical exploration and artistic experimentation.
In India’s music ecosystem, where film songs often define commercial success, but live artistry defines legacy, this moves bridges both worlds. Artists such as Shreya Ghoshal and Pritam have similarly navigated between film playback and live performance, but Arijit’s post-retirement stage return, especially one with classical inflection, suggests a nuanced recalibration of his role in Indian music.
The response from fans has been overwhelmingly positive, with many praising his artistry and expressing excitement about future concerts or collaborative projects. What once might have sounded like a farewell could instead be the beginning of a more personally expressive and musically adventurous chapter.
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